Note: This essay was first published on AIGA Voice. It came in two-parts, with the second essay being a typographic critique. When the New Yorker finally updated its type design, a year or so later, I reached out to then creative director — Wyatt Mitchell — who underlined that this article was instrumental in the magazine’s redesign.
Read a PDF of the full article here.

Screenshot of the essay in its original publication on AIGA Voice. 

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